Lance Wyman, Olympic postage stamps for Mexico ‘68.
The radiating and colorful lines that extend from the Pyramid of the Sun in Teotihuacan, at top, and which surround the stadium at the University City of UNAM in Mexico City, below it, provide more than a graphic connection between these two sites. They also refer to the connection established between the pre-Hispanic site and the modernist building between October 11 and October 12, 1968 as part of the events that surrounded the Mexico ‘68 Olympics. The night of October 11, the Olympic torch was spectacularly received in Teotihuacan after traveling through many parts of Europe and Mexico. The following day, the torch reached the UNAM stadium and was greeted in the midst of a ceremony that commemorated the inauguration of the Olympics. In Alberto Isaac’s Olimpíada en México, the torch’s journey is captured beautifully in film. Watch it here: http://www.youtube.com/watch?v=8M00Kgo-mcE
Lance Wyman, estampas Olímpicos de México ‘68
Vilmos Huszár - Zittende figuur (1917)
ink (relief printing) on paper
LIVRE concept light - Alessandro Valenti.
R. H. Quaytman - Spine (2001-)
2. The Garden
By Katharina Grosse, these huge, beautiful sculptural installations utilise their environment by being painted in situ making each set-up entirely unique. I feel torn between thinking of a martian landscape, or a Lovecraftian fifth dimension.